{"id":41514,"date":"2024-03-23T09:30:23","date_gmt":"2024-03-23T08:30:23","guid":{"rendered":"https:\/\/dev.marechiarofilm.it\/?page_id=41514"},"modified":"2024-10-24T10:52:55","modified_gmt":"2024-10-24T08:52:55","slug":"antonella-de-lillo","status":"publish","type":"page","link":"https:\/\/marechiarofilm.it\/en\/antonella-de-lillo\/","title":{"rendered":"Antonella De Lillo"},"content":{"rendered":"<div class=\"row\"  id=\"row-1861190044\">\n\n\t<div id=\"col-736128228\" class=\"col medium-2 small-12 large-2\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_889882439\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"140\" src=\"https:\/\/marechiarofilm.it\/wp-content\/uploads\/2015\/09\/antonietta_delillo.jpg\" class=\"attachment-large size-large\" alt=\"\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_889882439 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1999746060\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>ANTONIETTA DE LILLO<\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">Director, photographer, freelance journalist, <strong><span style=\"color: #f50c75;\">Antonietta De Lillo<\/span><\/strong> was born in Naples. She is presently living and working in Rome, where she is busy with her new production company marechiarofilm and is ideally pursuing the experience which has matured over twenty-five years of activity. <\/span><br \/>\n<span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"><strong><span style=\"color: #f50c75;\">Antonietta De Lillo<\/span><\/strong> was born in Naples, 6th March 1960. She receives her degree in cinema at the D.A.M.S. (acronym for Drama, Arte, Musica e Spettacolo) faculty, University of Bologna. She works as a freelance journalist and photographer for important newspapers and magazines. She moves to Rome where she works as assistant cameraman in various television and film productions. In 1985 she directs her first feature-length film, <strong><span style=\"color: #f50c75;\">Una casa in bilico<\/span> <\/strong>(Tottering Lives), which wins the <strong>Nastro d\u2019Argento<\/strong> prize for the best first opus; in 1990 she shoots her second film,<span style=\"color: #f50c75;\"><strong> Matilda<\/strong><\/span>. Both films are <span style=\"color: #666666;\">realized <\/span>in collaboration with <strong>Giorgio Magliulo.<\/strong> <\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> From <strong>1992 to 1999<\/strong> she is the author of numerous documentary films and video-portraits, among which the following are selected and awarded prizes in diverse International festivals: <strong><span style=\"color: #f50c75;\">Angelo Novi Movie Stills Photographer, Dr. Lucio Fulci\u2019s Day-For-Night, Each Chair Has its own Sound \u2013 Portrait of Alda Merini, The Betrothed<\/span><\/strong> (Promessi sposi). She directs <strong><span style=\"color: #f50c75;\">Racconti di Vittoria<\/span> <\/strong>(Vittoria\u2019s Tales) (awarded the Fedic and Union of Cinema Critics Prize at the 52nd International Venice Film Festival) in <strong>1995<\/strong>, the <strong><span style=\"color: #f50c75;\">Maruzzella<\/span><\/strong> episode from the collective film <strong><span style=\"color: #f50c75;\">I Vesuviani<\/span> <\/strong>in <strong>1997<\/strong> and <strong><span style=\"color: #f50c75;\">Non \u00e8 giusto<\/span> <\/strong>(Not Fair), presented at the <strong>54th Film Festival of Locarno in 2001. <\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"><strong> The latest feature film<\/strong> she directs is <strong><span style=\"color: #f50c75;\">The Remains of Nothing,<\/span><\/strong> a special event at the <strong>2004 Venice Film Festival<\/strong>. The film receives numerous acknowledgements and prizes, inter alia three <strong>David of Donatello awards and five nominations for the Nastri d\u2019Argento<\/strong>. <\/span><br \/>\n<span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> Her new production and distribution company <strong>marechiarofilm<\/strong> ideally carries on with the experience she developed, first with <strong>Angio Film srl<\/strong> (together with Giorgio Magliulo) and later with <strong>Megaris srl<\/strong> (together with Magliulo, Giogi\u00f2 Franchini and Paola Capodanno). With <strong>marechiarofilm<\/strong> she realizes in <strong>2011<\/strong> the first <strong><span style=\"color: #f50c75;\">participated film <\/span><\/strong><span style=\"color: #666666;\">in Italy<strong> The Social Christmas <\/strong><\/span>, presented at the <strong>Rome International Film Festival<\/strong>. In <strong>2013<\/strong> she directes the documentary film <strong><span style=\"color: #f50c75;\">The crazy woman next door<\/span><\/strong>, a conversation with the poet Alda Merini presented at the <strong>31st Turin Film Festival<\/strong>, and in <strong>2014<\/strong> the documentay film <strong><span style=\"color: #f50c75;\">Let\u2019s go<\/span><\/strong> presented at the <strong>32nd Turin Film Festival<\/strong>. In 2016 she is awarded with a special prize by the <strong>Nastri d\u2019Argento Committee<\/strong> for the participated film <a href=\"http:\/\/www.marechiarofilm.it\/en\/today-together-tomorrow-too\/\"><strong><span style=\"color: #f50c75;\">Today Together, Tomorrow Too<\/span><\/strong><\/a>, presented at the <strong>33rd Turin Film Festival<\/strong>. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-size: 19px; font-family: 'Raleway',sans-serif; color: #f50c75;\">FILMOGRAPHY<\/span><\/strong><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">In<\/span><strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> 2016 <span style=\"color: #f50c75;\">Today Together, tomorrow too participated film <\/span><\/span><\/strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">wins a special prizie at<\/span><strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> Nastri D&#8217;Argento 2016, <\/span><\/strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">a prize <strong>at<\/strong><\/span><strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> Ischia film festival, Gold Elephant World Festival and <\/span><\/strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">at<\/span><strong><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> Social World Film Festival<\/span><\/strong><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> In <strong>2015<\/strong> Antonietta De Lillo realizes <a href=\"http:\/\/www.marechiarofilm.it\/en\/today-together-tomorrow-too\/\"><strong><span style=\"color: #f50c75;\">Today Together, Tomorrow Too<\/span><\/strong> <strong><span style=\"color: #f50c75;\">participated film<\/span><\/strong><\/a>, presented at the 3<strong>3rd Turin Film Festival<\/strong> <\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> In <strong>2014<\/strong> she realizes <span style=\"color: #f50c75;\"><span style=\"color: #666666;\">the documentary film<\/span><\/span><strong><span style=\"color: #f50c75;\"> Let&#8217;s Go<\/span><\/strong> produced by <strong>marechiarofilm<\/strong> in collaboration with <strong>Rai Cinema<\/strong> and presented at the <strong>32nd Turin Film Festival. <\/strong>The documetary is distributed by<strong> Mariposa Cinematografica <\/strong>in collaboration with<strong> miseria Ladra <\/strong>and<strong> Gruppo Abele Onlus<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\"> In <strong>2013<\/strong> she realizes <strong><span style=\"color: #f50c75;\">The crazy woman next door<\/span> <\/strong>a conversation with the poet <strong>Alda Merini<\/strong> produced by <strong>marechiarofilm<\/strong> in collaboration with <strong>Rai Cinema<\/strong> and presented at the <strong>31st Turin Film Festival<\/strong>. <\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: Raleway,sans-serif; color: #666666;\">In <strong>2011<\/strong> she realizes with <strong>marechiarofilm<\/strong> the <strong><span style=\"color: #f50c75;\">participated film The Social Christmas<\/span> <\/strong>as the curator and creator of the project, experimenting with the value of a new production platform, capable of mixing different languages, gathering in the same film product both home movies and professional short films. The film has been presented Out of Competition at the <strong>International Rome Film Festival 2011<\/strong>. <\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>2008 <span style=\"color: #f50c75;\">Antonietto DeLillo<\/span><\/strong> writes and directs a short film <strong><span style=\"color: #f50c75;\">Art. 20<\/span> <\/strong>which is part of the collective film <strong>All Human Rights for All<\/strong> (30 short films, one for each of the 30 articles of the Universal Declaration of Human Rights).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>2004<\/strong> she directs the feature film based on Enzo Striano\u2019s novel of the same name, Il Resto di Niente (<strong><span style=\"color: #f50c75;\">The Remains of Nothing<\/span><\/strong>): presented at the 2004 <strong>International Venice Film Festival<\/strong> \u2013 a special event in the competition section..<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> The film, with Maria De Medeiros, is nominated for three <strong>David di Donatello awards<\/strong>, among which \u201cBest Female Protagonist\u201d, and wins the David Prize for \u201cBest costumes\u201d, three Golden Ciaks, inter alia \u201cCiak Mini Bello e invisibile\u201d and other important acknowledgements:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>FICE\u00a0 Prize 2005<\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"><strong> \u2022\u00a0\u00a0 \u00a0David di Donatello 2005<\/strong>:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"><strong> 3 nominations<\/strong> (best protagonist actress, best costumes, best art direction)<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"><strong> David di Donatello Prize:<\/strong> best costumes (Daniela Ciancio)<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Taormina 2005<\/strong>:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Piero Tosi Prize 2005: Daniela Ciancio<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Franco Cristaldi Prize: Mariella Li Sacchi and Amedeo Letizia<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Golden Ciak 2005<\/strong>:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> 6 nominations (best film in the &#8220;Bello e invisibile&#8221; (Beautiful and Invisible)\u00a0 category, best costumes, best art direction, best photography, best producer, best poster)<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Golden Ciak for best film &#8220;Bello e Invisibile&#8221;: Antonietta De Lillo<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Golden Ciak for best photography: Cesare Accetta<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Golden Ciak for best costumes: Daniela Ciancio<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Golden Ciak for best art direction: Beatrice Scarpato<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Sannio Film Fest:<\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u201cCapitello d&#8217;oro\u201d (Golden capital)<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Best film: Antonietta De Lillo<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Best costumes: Daniela Ciancio<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Ennio Flaiano Prize 32nd Edition:<\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Best actress protagonist: Maria de Medeiros<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Best screenplay: Giuseppe Rocca with Laura Sabatino, Antonietta De Lillo<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Golden Globe<\/strong> \u2013 foreign press<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> Best photography: Cesare Accetta<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>FAC Prize<\/strong> (National committee for the diffusion of art and cultural): awarded during the XXVIII Edition of the Giornate Professionali di Cinema<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Nastri d\u2019argento 2006<\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> 5 nominations (best screenplay, best music, best photography, best costumes and best art direction).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>2002<\/strong> De Lillo creates the video-portrait of Tonino Guerra <strong><span style=\"color: #f50c75;\">P<\/span><span style=\"color: #f50c75;\">ianeta Tonino<\/span><\/strong>, within the ambit of the Ritratti Italiani (Italian Portraits) series directed by\u00a0 <strong>Lino Miccich\u00e9<\/strong> and produced by the Scuola Nazionale di Cinematografia (<strong>National School of Cinematography).<\/strong><\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"><strong> In\u00a0 2001<\/strong> she realizes the feature film Non \u00e8 giusto (<strong><span style=\"color: #f50c75;\">Not Fair<\/span><\/strong>), competing in the <strong>Locarno Festival in 2002<\/strong>. The film is invited to the following events:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Encounters with the Italian Cinema at Annecy<\/strong><\/span><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Grolle d&#8217;Oro Saint Vincent<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Villerupt Festival<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Moms Festival (Belgium)<\/span><\/strong><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>2000\/2001<\/strong> for <strong>Storia Siamo Noi-Rai Educational<\/strong> she directs a series of documentary films:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0On Naples: <strong><span style=\"color: #f50c75;\">Le Vele<\/span><\/strong> (Le Vele District), <strong><span style=\"color: #f50c75;\">L\u2019Italsider<\/span><\/strong> (The Italsider Steelworks), <strong><span style=\"color: #f50c75;\">I Quartieri Spagnoli<\/span><\/strong> (The Spanish District);<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<span style=\"color: #666666;\"><strong>On\u00a0 the Campania region<\/strong><\/span>: La terra di lavoro del Casertano (The Land of Work in the Caserta Area), Il parco nazionale del Cilento (The Cilento National Park) , L\u2019Irpinia a venti anni dal terremoto (Irpinia, Twenty Years after the Earthquake);<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>On the province of Rome<\/strong>: Il pendolarismo (Commuters), Il litorale romano (The Roman Shore), L\u2019area industriale di Cassino (The Cassino Industrial Zone).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>2000<\/strong> she realizes the documentary film Il faro (<strong><span style=\"color: #f50c75;\">The Lighthouse<\/span><\/strong>) for <strong>Tele+ and Legambiente<\/strong>. The film is produced by <strong>Francesco Conversano and Nene Grignaffini for Movie Movie Videocinematografica.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1999<\/strong> she realizes the documentary \u2019<strong><span style=\"color: #f50c75;\">O solemio<\/span> <\/strong>and the short film <strong><span style=\"color: #f50c75;\">\u2019O Cinema<\/span><\/strong> for RAISAT and ARTE\u2019 which are presented at the <strong>Turin Film Festival.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1997<\/strong> she directs the video-portrait <strong><span style=\"color: #f50c75;\">Hispaniola<\/span><\/strong>, ritratto di Claudio Bonifacio (Hispaniola, a portrait of Claudio Bonifacio); in the same year she realizes the <strong><span style=\"color: #f50c75;\">Maruzzella episode<\/span><\/strong> \u2013 part of the collective film I Vesuviani, competing in the 1997 <strong>Venice Film Festival<\/strong>, as well as the documentary film\u00a0 <strong><span style=\"color: #f50c75;\">Saharawi<\/span><\/strong>, voci distanti dal mare (Saharawi, Distant Voices from Over the Sea)\u00a0 in collaboration with Jacopo Quadri and Patrizio Esposito.<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> In the same year she realizes Diari del \u2018900 (Twentieth Century Diaries), a film-collage on the labor movement for the <strong>Labor Movement Archive<\/strong> (Arcivio del Movimento Operaio).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1996<\/strong> she realizes <strong><span style=\"color: #f50c75;\">Viento \u2018e Terra<\/span><\/strong> (Earth Wind), a portrait of the musical group \u2019E Zezi from Pomigliano d\u2019Arco, competing in the <strong>Locarno Film Festival<\/strong>, and a <strong><span style=\"color: #f50c75;\">portrait of Peter Del Monte<\/span><\/strong>, for the series Ritratti d\u2019autore (Portraits of Authors).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1995<\/strong> she realizes Ogni sedia ha il suo rumore. Ritratto di Alda Merini (<strong><span style=\"color: #f50c75;\">Each Chair has its own Sound. A Portrait of Alda Merini<\/span><\/strong>), presented at the <strong>Locarno Film Festival<\/strong> and the feature film Racconti di Vittoria (Vittoria\u2019s Tales), presented at the Finestra sulle immagini (Windows on the Images)\u00a0 of the <strong>52nd Venice Film Festival<\/strong>, where she receives the Fedic Prize as well as the Segnalazione del Sindacato Critici Cinematografici Italiani (Honorable Mention by the Union of Italian Film Critics).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1994<\/strong> she realizes the video portrait La notte americana del Dr. Lucio Fulci. (<strong>Dr Lucio Fulci\u2019s Day-For-Night<\/strong>).<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1993<\/strong> she directs Promessi Sposi (<strong><span style=\"color: #f50c75;\">The Betrothed<\/span><\/strong>), prize winner at the <strong>11th Turin International Film Festival<\/strong>, Spazio Italia section.<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1992<\/strong> she realizes Angelo Novi Fotografo di scena (<strong><span style=\"color: #f50c75;\">Angelo Novi, Movie Stills Photographer<\/span><\/strong>), which is awarded a Prize in the documentary film section of the <strong>Salerno International Film Festival<\/strong>.<\/span><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1990<\/strong> she shoots Matilda\u00a0 with Giorgio Magliulo. The film, produced by AnGio Film srl and interpreted by Silvio Orlando, Carla Benedetti, Milena Vukotic, Tino Schirinzi, is distributed by <strong>Mikado Film srl<\/strong>. The film is selected by the following festivals:<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Boario Terme Festival;<\/strong><\/span><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Europa Cinema in Viareggio;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Mediterranean Festival in Montpellier;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Encounters with Italian Cinema in Annecy, were it is awarded the Jury Prize;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Grolle d&#8217;Oro Saint Vincent;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Golden Globe;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Festival of Young European Cinema in Cannes;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Cannes Below Zero Film Festival, where it is awarded honorable mention;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Rennes Film Festival;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Love Festival in Mons, where it is awarded first prize;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Bastia Film Festival;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Humour Festival in Chamrousse, where it wins the Jury Prize;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Creteil Film Festival;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Moscow Film Festival;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Bellaria Film Festival.<\/span><\/strong><\/p>\n<p><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\">In <strong>1985<\/strong>, with\u00a0 Giorgio Magliulo, she directs her first feature film, Una casa in bilico (<strong><span style=\"color: #f50c75;\">Tottering Lives<\/span><\/strong>):<\/span><br \/>\n<span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0<strong>Wins special Nastro d\u2019argento for promotion;<\/strong><\/span><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0Nastro d\u2019argento, nomination for best first work;<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 18px; font-family: 'Raleway',sans-serif; color: #666666;\"> \u2022\u00a0\u00a0 \u00a0David di Donatello, nomination for best first work.<\/span><\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-41514","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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